Every month we watch & recap a children’s movie with the Earthquakes and unpack the sneaky media tropes that reinforce bigotry, supremacy, and problematic devices.
Every month we watch & recap a children’s movie with the Earthquakes and unpack the sneaky media tropes that reinforce bigotry, supremacy, and problematic devices.
Initially screened with R2 (age 6) & Q (age 8), and again at ages 7 & 9.
Watch Wall-E on Amazon (afflink)
Ashia R:
For family movie night his weekend, we watched Wall-E.
I keep feeling this…nervousness, about the depiction of all humans as fat from inactivity.
Because of course we don’t just become fat out of laziness or forgetting to move. But then – there are so many other ‘obviously it wouldn’t really be like that’ issues with the frame of the story. It’s so divorced from reality it’s hard to grab an anchor to tie it to real life depictions of size discrimination.
So here goes!
I wish they hadn’t use fattness as a visual metaphor for growing weak and complacent and dependent on technology.
(But I do LOVE that the people are all kind, brave, curious, and hardworking as soon as they get even a tiny opportunity to be so – when so typically we see fat characters become rude, mean, and worthless as if fat cells ruin our brains.)
So we’re going to continue that conversation – about the realities that sure – we do tend to gain weight when we are inactive. We are watching more screens and having to fight off distractions from the attention economy and it’s taking a toll on our health. But that toll on our health isn’t correlated with our body size, is not correlated with complacency and laziness. The writers of this story were wrong for depicting it that way.
What kinds of messages are we absorbing from the movie in terms of equating body size with compliance and consumerism?
The animators exploited stigma against fat folks for cheap laughs. Which is such a disappointment in a movie so witty and sweet and awesome.
Thoughts?
Shannon B.S.
We also talked about how it’s showing screens as bad, that they’ve become so important for us during COVID. It’s a balance.
Ashia R.: Update on February 2021
I didn’t focus on this much this from last time – the initial apocalypse wasn’t just rampant consumerism and pollution, but a corporate monolith that took over every industry and then the government – the president was also the CEO of Buy N Large, and the BnL logo is on everything, including the presidential seal, the space station and all items there, and every building and product Wall E collects.
Making apocalypse synonymous with a monolithic mega corporation felt cute and prescient at the time and now it’s just legit scary.
So…what’re you guys watchin’ these days?
Nathalie L.
We’ve just come through a three-month insistence on just Over the Moon. Now it’s Trolls World Tour, and the 3 and 4yo rejecting our attempts to expand their understanding of music beyond the songs on the soundtrack. I do enjoy their love for Queen Barb, and telling me that she’s still learning how to be a good friend.
3 weeks later I can report that we have stopped constantly listening to Rock You Like A Hurricane (Trolls version only), though the kids are still very dubious about the idea that genre songs exist that aren’t featured on that soundtrack.
How we calculate the overall awesomeness score of kids media.
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©2014-2026 Ashia Ray of Raising Luminaries™. All rights reserved.
Raising Luminaries is anchored in the land of the Wampanoag & Massachusett People.
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Photographs via Unsplash & Illustrations via Storyset, used with permission.
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